Synopsis
It looks like it’s going to be another hot summer’s day in the small town of Bala, North Wales. Nobody knows that an alien has been living in the town for half a century, hidden in plain sight.
Seven-year-old Menna is swimming in Bala Lake when she suddenly disappears beneath the chilly waters. Moments later, she reappears, suspended in midair, before levitating towards land. Within minutes, social media erupts. Within the hour, the military descends, isolating Bala from the outside world.
Caught in this turmoil is Ammar Rashid, an investigative journalist escaping his own shattered life. Initially an unwelcome visitor, he soon becomes consumed by what he realises is the story of the century: an alien that crashed here in 1974 wasn’t taken away by the army. It stayed. It survived. Now, the military wants to contain the “threat” and keep the residents detained within the town.
Ammar teams up with Lowri Jones, a local national park warden. Their partnership forms the emotional core of the saga, driven by their contrasting views on belonging and home. Ammar, the son of Iraqi refugees, believes borders and barriers are humanity’s greatest weakness, while Lowri, proud of her eighth-generation Bala roots and Welsh heritage, sees them as crucial safeguards to protect her area’s identity, culture, and language.
When Ammar and Lowri finally solve the puzzle, they uncover startling truths: The alien is Thomas Owen, a pillar of the community. He not only survived when he crashed here in 1974. Menna, the drowning girl, is his granddaughter. Thomas’s descendants share a genetic gift that could change the course of human evolution – and that is what the military is really after.
The series concludes with a heart-stopping standoff as Ammar, Lowri, and the alien family face the might of the British Army. In a final act of sacrifice to save the community that kept them safe for so long, Thomas and his family vanish to protect their secret, leaving Bala forever changed.
Writer’s statement
Growing up in North Wales, I was surrounded by stories. It is the land of myths and legends. Of magic and folklore. Of King Arthur and The Mabinogion. But one true story has always captivated me since I heard it from my grandfather, who lived on the foot of the mountain where “The Welsh Roswell” occurred.On the evening of January 23, 1974, local people reported seeing bright lights and hearing a huge explosion in the Berwyn mountains near the Welsh town of Bala. UFO enthusiasts insist that an alien craft crashed that fateful night and claim the British Army removed dead extraterrestrial bodies from the wreckage. To this day, the true events remain a mystery.The Bala Incident draws upon this inexplicable event as its inspiration and at its core, it is a character-driven exploration of identity, belonging, and humanity wrapped in a gripping mystery. But it’s also a fresh take on the alien genre as it shifts focus from fear of the unknown to the universality of seeking a home. The alien and its family in the series are not the threat—they are the lens through which we explore humanity’s tendency to fear those who are different. In a world that’s becoming increasingly polarized, it feels to me that this story is more relevant than ever.As a Welsh-speaking writer from this area, I chose to tell this story in both Welsh and English because it adds a layer of authenticity and cultural richness to the series but also enhances the theme of division and connection. Grounding the story in the visually stunning Welsh countryside creates an atmospheric backdrop that’s both intimate and epic. A place where folklore and reality meet.This isn’t just another story about aliens from the past, it’s a story about us, today.
Author
Producer’s note
Some time ago I read a news article about a real newborn, recently born to a mother in the process of being convicted for killing his father, and a judge’s unique decision to order that he be left in the custody of his mother to be raised inside the prison. The story blew my mind. It made me think what a sublime second chance the child had been given to know his mother, the complications of crime and punishment when a third life hangs in the balance, and the effect on the mothers’ chance to work out her rehabilitation by caring for her child. I also wondered how the presence of a child may change the world of the prison, and how a kid with a unique point of view and skills could change the world outside as well?
Jason Goode quickly caught the germ of the idea, and set to creating a surprising, compelling vision for a one-of-a-kind series. Bold risk-taking storytelling that centred on a character who is thoroughly fascinating, and the decisions only he can make that propel us as the audience into an ever widening world.
Prison Boy is a story that draws wide interest, crossing cultural and language boundaries. It would belong as well on a Scandinavian public broadcaster, US premium cable, or international streamer. We are seeking European partners because, frankly, such a show cannot be produced in Canada alone. And we see an opportunity to collaborate and bring the show to a wider audience via partnerships with other creative minded partners.